List of the pictures illustrating the texts
Murádin Jenő
1. The landscape of Brassó on a contemporary linocut in the second half of the 19th century. Lecca collection, Munich.
2. State Woodwork School of Brasov . His report on the school-year 1909-1910. (XXV). M. Szarvasy collection, New York.
3. János Mattis Teutsch (hereinafter: MT) around 1902. Copy of the archive photography. MTA MKI Documentation department MKCS-C-1 82-II
4. Study of a head. Illustration in Die Karpathen 1911. 11.
5. Gizella Borsos, Mattis Teutsch’s first wife. Around 1909. Archive photo. Lecca collection, Munich.
6. ”The collection of János Mattis Teutsch”. The catalogue of the first picture exhibition of the periodical MA. October 1917.
7. MT around 1910. Passport photograph with MT’s signature.
8. The catalogue of The Third Demonstrative exhibition of MA in the September issue of the periodical (extract), 1918.
9. List of MT exhibition catalogue in the 20th November issue, 1919 (III/11) of MA.
10. Exhibition in Brassó in 1919. Archive photo. M. Szarvasy collection, New York.
11. MT’s work in the supplement of the 20th of November issue 1919 (III/11) of MA.
12. List of the art works of the graphic exhibition (VII) of MA in the 26th January issue, 1919 of the periodical.
13. Excerpt from MT’s exhibition in Brassó in 1921. Archive photo. Lecca collection, Munich.
14. Catalogue of the collective exhibition of Tamás Gallery (Mattis Teutsch, Gyula Hincz, László Mészáros), May 1929.
15. Mail order catalogue of Kunstideologie, 1931. Collection of MissionArt Gallery, Budapest.
16. MT: In Mine, 1929., Oil on board, 47.2x28.5 cm Máramaros County Museum, Nagybánya.
(Baia Mare, Romania)
17. On the way. Photo of the artist around 1940. MTA MKI Documentation department. MKCS-C-I-82-I.
Annegret Hoberg
1. The group of Phalanx in Munich, 1902. On the right front: Wassily Kandinsky, in the middle: Gabriele Münter. Photo by Gabriele Münter and Johannes Eichner Foundation.
2. Wassily Kandinsky: Colourful Life, 1907. Städtische Galerie im Lenbachhaus, Munich, the deposititon of Bayerische Landesbank.
3. Wassily Kandinsky: View from the window of Griesbräu, 1908. Städtische Galerie im Lenbachhaus, Munich
4. Gabriele Münter: Jawlensky and Werefkin in the field, 1909. Städtische Galerie im Lenbachhaus, Munich.
5. Alexei von Jawlensky: Landscape of Murnau (Chausee), 1909. Städtische Galerie im Lenbachhaus, Munich.
6. Wassily Kandinsky: A study of nature, Murnau I, 1909. Städtische Galerie im Lenbachhaus, Munich.
7. The stairs of Gabriele Münter’s house in Murnau. Painted by: Wassily Kandinsky, 1911. Photo by: Gabriele Münter and Johannes Eichner Foundation, Munich.
8. Wall decorated by stained glass in the flat in Ainmillerstraße, around 1911. Photo by: Gabriele Münter and Johannes Eichner Foundation, Munich.
9. Gabriele Münter: Still Life with St. George, 1911. Städtische Galerie im Lenbachhaus, Munich.
10. Franz Marc: Deer in the Snow, 1911. Städtische Galerie im Lenbachhaus, Munich.
11. Franz Marc: Blue Horse I, 1911. Städtische Galerie im Lenbachhaus, Munich.
12. Wassily Kandinsky: Water-colour draft for the cover of Blaue Reiter Almanac, 1911. Städtische Galerie im Lenbachhaus, Munich
13. August Macke: Portrait of Elizabeth with an Apple, 1909. Städtische Galerie im Lenbachhaus, Munich.
14. Wassily Kandinsky: Composition V, 1911. Museum of Modern Art, New York,
15. Wassily Kandinsky: The front-page of Of the Spiritual in Arts Munich, Piper Publisher, 1912.
16. Arnold Schönberg: The Red Glance, 1911. Arnold Schönberg Center, Vienna.
17. The members of the Blaue Reiter on the balcony of the flat in Ainmillerstraße, Schwabing, 1911. Photo by: Gabriele Münter and Johannes Eichner Foundation, Munich.
18. Franz Marc: The Tiger, 1912. Städtische Galerie im Lenbachhaus, Munich.
19. August Macke: Lady in Green Coat, 1912. Museum Ludwig, Köln.
20. Wassily Kandinsky: Study for Composition VII, 1913. Städtische Galerie im Lenbachhaus, Munich.
Majoros Valéria
1. Mattis Teutsch (hereinafter: MT) in the late 1910s. Archive photo. Lecca collection, Munich.
2. János Mácza: Propaganda pamphlets for the stage. I. Színház-1918. Front-page, with MT’s linocut. Lecca Collection, Munich.
3. József Garda: The front-page of the volume entitled Somebody Is Playing With Us. The publication of MA, 1917. Private Collection
4. The front-page of MT’s album entitled Linoleum. The publication of the periodical MA, 1917.
5. MT’s work in the supplement of the November issue 1918 of MA.
6. Exhibition interior with the artist. Lecca collection, Munich.
7. The invitation to the Visconti Gallery, Paris (Rue de Seine 26.) for
MT’s exhibition. 30 April 1925. Lecca collection, Munich.
8. The front-page of the June issue 1925 of Les chroniques du jour (Paris) with MT’s linocut. Lecca Collection, Munich.
9. Exhibition interior. 1929, Brassó, Redut. Archive photo. Lecca collection, Munich.
10. A placard of MT’s exhibition, around 1929. M. Szarvasy collection, New York.
Hubertus Gaßner
1. W. Kandinsky: The draft of the front-page of his ’’Der Blaue Reiter”, 1911. Städtische Galerie in Lenbachhaus
2. Mattis Teutsch’s linocut, 1920–21.
3. Contemporary postcard of the building of the Bavarian Royal Academy of Fine Arts. Around 1900. Archive photo, Schwabing-Archivs R.v.H., Munich.
4. Franz Marc: Horse in the Landscape, 1910. Museum Folkwang, Essen.
5. Franz Marc: Small Composition II. (House with Trees), 1912–14. Sprengel Museum, Hannover.
6. W. Kandinsky: Saint George, 1911 Städtische Galerie in Lenbachhaus
7. W. Kandinsky: Saint George, 1911 Zürich, Privatsammlung
8. Kandinsky in Munich in 1902. Archive photo, Schwabing-Archivs
9. Mattis Teutsch around 1905. Archive photo, M. Szarvasy collection, New York.
10. Group photograph in Munich in 1914. On the left: Alexei von Jawlensky, Clotilde von Derp, Marianne Werefkin. Archive photo, Schwabing-Archivs
11. Mattis Teutsch’s ornamental plate, 1901.
12. The building of the Museum of Applied Arts in Budapest, 1896. Designed by Ödön Lechner and Gyula Pártos.
13. The Egger house in Budapest. Designed by Emil Vidor, 1901-02.
14. József Rippl Rónai: Ornamental plate, 1898. Janus Pannonius Museum, Pécs.
15. Aristide Maillol: Dancing Girl, 1895. Musée d’ Orsay, Paris.
16. Peter Behrens: Butterflies on Water Lillies. Coloured woodcut, 1897. Museum of Fine Arts, Boston.
17. Peter Behrens: Tempest (Eagle). Coloured woodcut, 1897. Staatliche Museen Preussischer Kulturbesitz, Kunstbibliothek, Berlin.
18. The certification of the Bavarian Royal Academy of Fine Arts concerning the studies of Mattis Teutsch, 1908.
19. Balthasar Schmidt among his professorial colleagues in the building of the Academy, 1904.
Archive photo, Schwabing-Archivs R.v.H., Munich.
20. Mattis Teutsch’s study sculpture of 1903. Archive photo.
21. Mattis Teutsch’s carved ashtrays, c. 1914. Lecca collection, Munich.
22. The quintet of Heinrich Art School for Painters in 1900. On the right side: Paul Klee. Archive photo, Schwabing-Archivs R.v.H., Munich.
23. W. Kandinsky: Draft for an oil. 1901–02 Munich. Schwabing-Archivs.
24. W. Kandinsky: The placard of ’Phalanx’ exhibition in 1901. Städtische Galerie in Lenbachhaus.
25. József Rippl Rónai: Cemetery in the Lowland, 1894.
26. Mattis Teutsch linocut, around 1916.
27. The sculpture class of the Phalanx Art School in 1902. From left to right: Wilhelm Hüsgen, Gabriele Münter. Archive photo, Schwabing-Archivs R.v.H., Munich.
28. Mattis Teutsch study sculpture of 1903. Archive photo.
29. Franz Marc: Deer at Dusk, 1909. Städtische Galerie im Lenbachaus, Munich.
30. Hermann Obrist: Fantastic Shell, around 1895, Staatliche Graphische Sammlung, Munich
31. Hermann Obrist: Whipchord, around 1895 Munich Stadtmuseum.
32. Kandinsky in the garden of his house in Murnau, 1908.
33. W. Kandinsky: Murnau. View from the window of Griesbräu, 1908 Galerie im Lenbachhaus.
34. W. Kandinsky: The Cow, 1910 Munich Städtische Galerie im Lenbachhaus.
35. Gabriele Münter: Stacks of Husks, 1910–11 Städtische Galerie in Lenbachhaus.
36. A. von Jawlensky: A draft of Murnau, 1908–09 Städtische Galerie in Lenbachhaus.
37. Female Nude. Mattis Teutsch’s water-colour painting, around1914.
38. Henri Matisse: Bathing Women with Turtle, 1908. The Saint Louis Art Museum.
39. Female Nude. Mattis Teutsch’s watercolour painting, around 1914.
40. Henri Matisse: The Dance, I., 1909. The Museum of Modern Art, New York.
41. Paul Gauguin: On the Hill on Foot, 1892. Hermitage, St. Petersburg.
42. Trees. Mattis Teutsch’s watercolour painting, around1914.
43. Paul Gauguin: Blue Trees, 1888. Ordrupgaard Samlingen, Charlottenlund.
44. Paul Sérusier: Magic, around 1891-92. Musée des Beaux-Arts de Quimper.
45. Maurice Denis: Jacob’s Fight with the Angel, 1893. Private Collection collection.
46. Mattis Teutsch linocut, 1917.
47. Maurice Denis: Fairies were Seen Disembarking, around 1893.
48. Paul Gauguin: Nave nave moe, 1894. Hermitage, St. Petersburg.
49. Mattis Teutsch’s linocut c. 1916.
50. Draft to the front-page of Blaue Reiter Almanac, 1911.Kandinsky’s drawing. Städt Galerie im Lenbachhaus.
Szabó Júlia
1. Hermann Obrist: A Study of Moving, 1895, plaster, 184 x 73 x 73 cm, Zürich. Private Collection
2. Edvard Munch: The Scream, 1893. Oil on canvas 84 x 67 cm, Oslo, Nationalgalerie
3. Edvard Munch: Snow-covered Landscape at Eigersburg, 1906. Oslo, Munch Museum.
4. Umberto Bocconi: The Farewell. (from the triptych States of Mind) 1911. Oil on canvas 71 x 96 cm Milano, Il Museo del Novecento.
5. Wassily Kandinsky: Improvisation, 1910. Bayeler Collection
6. Arnold Schönberg: Hands, 1910. Oil on board, 39 x 63 cm, Arnold Schönberg Center, Vienna
7. Franz Kupka: The Rhythm of History. Wave, 1905–1908 Lithograph, Musée d’art moderne de la ville.
8. Mihail Matjusin: Composition for the death of Elena Guro, 1918 watercolour, paper, 27 x 38.4 cm, Russian National Museum, St. Peterburg.
9. Alexander Archipenko: Green concave, 1913.
10. Franz Marc: Yellow cow, 1911 Oil on canvas 55 1/4x74 1/2 inch, Solomon R. Guggenheim Museum, New York
11. Wilhelm Morgner: Astral Composition XVIII., 1912 Oil on board 75 x 100 cm, Munster, Westfalischen Landesmuseums für Kunst und Kulturgeschichte
12. Umberto Boccioni: The extension of a bottle in the space, 1912 bronze, 39.5x59.5x33cm Milan, Il museo del Novecento.
13. Umberto Boccioni: The dynamics of a human body, 1913 Oil on canvas 100x100 cm, Il Museo del Novecento, Milan.
14. Alexander Archipenko: Drawing. Published on the front-page of the 2x2 avant-garde journal. 1st issue. Vienna, 1922.
15. Henrik Neugeboren: Composition, 1927 paper-collage, gouache, 20.5x13.5cm, Benedetta Salvadori coll. Paris.
Andreas Franzke
1. MT: Portrait of a man. Relief, c. 1903. Archive photo, Lecca collection, Munich.
2. Paul Gauguin: Be in love and you’ll be happy, 1889. Museum of Fine Arts, Boston.
3. Pablo Picasso: Absinth bottle, 1914. Private collection.
. Alexander Archipenko: Carousel Pierrot, 1913. The Solomon R. Guggenheim Museum, New York.
5. Fortunato Depero: Figure from the puppet theatre, 1918. Gallerie Museo Depero, Rovereto
6. Giacomo Balla: Lines of Force, 1915. Galleria dell’ Obelisco, Rome.
7. Alexander Archipenko: Medrano II, 1913. The Solomon R. Guggenheim Museum, New York.
8. Herwarth Walden, with the statue of himself, made by Wauer. Archive photo.
9. William Wauer: Live iron, 1918.
10. János Mattis Teutsch:Wood sculpture, 1919–1920. Archive photo.
11. János Mattis Teutsch: Illustration for the Kunstideologie, c. 1930. M. Szarvasy collection, New York
12. János Mattis Teutsch: Illustration for the Kunstideologie. c. 1930. M. Szarvasy collection, New York.
Bajkay Éva
1. The front page of the Sturm from 1912 September, (III. 125/126.) with Franz Marc: Reconciliation to the poem of Else Lasker Schüler on it.
2. The front-page of the MA issue 10 April 1919 (IV/4) with Franz Marc’s work on it.
3. August Macke: Greeting, 1912. Linocut 240x193 mm.
4. The front page of the MA from 15 February 1917. (II/4). Collection of MissionArt Gallery, Budapest.
5. The front page of the Sturm, issue 3 May 1918.
6. Page 43 of the issue with MT’s and Maria Uhden’s linocut.
7. The front page of The Transylvanian Review, issue 24 February 1918 with MT’s linocut.
8. Front page of the Sturm, vol. VI, March 1915 No with Jacoba van Heemskerck’s linocut.
9. Page 37 of the Sturm, No 3 1919, with Hugo Händel’s drawing.
10. Front page of Mattis Teutsch’s lino album, 1917. Lecca collection, Munich.
11. The front-page of the Sturm, issue August 1918, with MT’s linocut.
12. Catalogue of the Sturm’s 99th exhibition. July-August 1921. MTA MKI Archives MKCS-C-I-82/14
13. Page 14 in the catalogueof the Sturm’s 100th exhibition. 1921.
14. Page in the catalogueof the Sturm’s 110th exhibition. 1922.
15. Herwarth Walden’s postcard to MT. Berlin, 30 June 1918. Lecca collection, Munich
16. The reverse of the postcard.
17. Herwath Walden’s letter to MT. Berlin, 7 December 1918. Unknown place.
18. Der Sturm postcard with Herwarth Walden’s portrait c. 1915.
19. Sturm postcard to MT. 19 March 1929. M. Szarvasy’s collection, New York.
20. The back page of the journal of Die Abstrakten artist group to MT. Berlin, 25 July 1927. Lecca collection, Munich.
21. Herwarth Walden’s postcard to Mattis Teutsch. Berlin, 1922.
22. Kunstausstellung Der Sturm exhibition sticker.
23. The letter of Die Abstrakten artist group to MT. Berlin, 17 October 1928. Lecca collection, Munich.
24. The front page of Der Sturm November 1923.
25. Page 167, same issue.
26. The front page of the Sturm, issue June 1925 with MT’s linocut. Collection of MissionArt Gallery, Budapest.
27. MT’s linocut in the picture-supplement of the above issue.
28. The front page of the Sturm, issue February 1923 with László Péri’s work. The collection of MissionArt Gallery, Budapest.
29. The front page of the Sturm, issue November 1922 with Lajos Kassák’s work. The collection of MissionArt Gallery, Budapest.
30. The issue of the Sturm, December 1924 with László Moholy Nagy’s work. The collection of MissionArt Gallery, Budapest.
31. Lajos Kassák: MA Buch. Gedichte. Der Sturm edition, Berlin, 1923.
32. The front page of the Sturm, issue June 1922 with László Péri’s work.
M. Szarvasy collection, New York.
33. The front page of Der Sturm, issue January 1923 with László Moholy Nagy’s linocut.
34. The journal of Die Abstrakten artist group to MT. Berlin, 25 July 1927. Lecca collection, Munich.
35. The letter of the organizer of the Grosse Berliner Kunstaustellung to MT. 19 June 1928 M. Szarvasy collection, New York.
36. The front-page of Herwarth Walden: Einblick in Kunst with the reproduction of the painting Franz Marc: Horses. Verlag Der Sturm, Berlin, 1924.
Steven Mansbach
1. The front page of MA, issue 1 July 1919 (IV/8) with MT’s linocut.
2. Page 4 of The Integral, issue December 1926, with MT’s linocut.
3. The Second Weltanschauung Special Edition of MA with MT’s linocut. January 1919.
4. Extract from MT’s exhibition in Brassó, 1921. Archive photo. M. Szarvasy collection, New York.
5. MT’s linocut in the volume Mózes Kahána: Én Te Ô, MA, 1921.
6. MT’s linocut, c. 1919.
7. MT’s exhibition placard Brassó, Redut. 5-19 October 1933. M. Szarvasy collection, New York.
8. MT: Composition, 1925. Oil on canvas, 50x39cm, Muzeul de Arta, Sfintu Gheorghe.
9. MT’s letter of inquiry from Berlin about his works, sent to the exhibition in Chicago on 18th August 1920. 18th July 1923. Lecca collection, Munich.
10. The front page of MT’ s exhibition catalogue, Bucharest, Hasefer bookstore, 13 March-3 April 1932. M. Szarvasy collection, New York.
11. Exhibition interior. 1933, Brassó, Redut. Archive photo. Lecca collection, Munich.
12. MT among his sculptures. C. 1929. MTA MKI Archives MKCS-C-I-82
13. The receipt list of Ferdinand Möller Gallery, Berlin. 1931.
Mariana Vida – Gheoghe Vida
1. The front page of Das Ziel, No 4 1919.
2. The front page of the collective exhibition in July 1919.
3. The July issue of Das Ziel 1919 with MT’s linocut.
4. Mattis Teutsch: Ex libris, c. 1920.
5. The front page of Contimporanul, 1924.
6. Viktor Brauner – Ilarie Voronca: the front page of the Pictopoezie.
7. The December issue of Contimporanul 1924. Lecca collection, Munich.
8. Constantin Brancusi: Magnificent Bird, 1915.
9. Victor Brauner: front page of 75HP.
10. The front-page of Punct, issue 17 January 1925 with MT’s linocut.
11. The front-page of Integral, issue October 1925.
12. Max Herman Maxy’s letter to MT. c. 1924. Lecca collection, Munich.
13. The advertisement of the Academy of Applied Arts on page 2 of Integral, issue December (9.) 1926.
14. Page 13 in Integral, issue 1 March 1925. Lecca collection, Munich.
15. The catalogue of the collective exhibition in Bucharest 1929. Private collection.
16. The catalogue of the exhibition in Kolozsvár in 1929.
17. The invitation to the Hasefer exhibition in 1929. 17 November 1929.
18. Page 2 of the collective exhibition in Bucharest, 1929. Private collection.
19. The invitation to the Hasefer exhibition in 1932.
20. Page 3 of the catalogue of the exhibition in Brassó in 1933.